Edoardo Bellotti plays the Italian organ at the Memorial Art Gallery, during the 2018 Rochester convention.
The Organ Historical Society celebrates the pipe organ each year through a convention featuring instruments of historical interest in one location in North America. The pipe organ community gathers at these conventions for fellowship, recitals, lectures, and to sample the local culture and architecture. In many instances, the work of a local organbuilder (recent or historical) is highlighted. Non-members are very welcome to attend, although members receive a significant discount on registration, so we encourage attendees to join. The E. Power Biggs Fellowship can provide funding for first-time attendees of OHS conventions.
Host a Convention
Are you proud of the historic pipe organs in your area? Would you like to share them with the rest of the OHS membership?
The Organ Historical Society is seeking proposals to host conventions in 2022 and 2023, and we would love to come visit! If you’ve ever wanted to show off the organs in your area to the rest of the OHS membership, this is a great opportunity. As a first step, please contact the CEO, Ed McCall to start a conversation about the possibility of hosting. After this, an initial proposal will need to have a preliminary list of organs to visit and a preliminary itinerary, as well as a list of people who would be willing to serve on a convention committee. For complete information on hosting a convention, please download the convention guidelines here:
OHS 2019 — Dallas
Christopher Anderson is a scholar and organist with particular interests in early musical modernism, modern German history and philosophy, the organ’s position in Western culture, and Max Reger, about whom has written extensively in two monographs and many essays. He is Associate Professor of Sacred Music at Southern Methodist University, where he teaches courses in history and analysis.
Benjamin Kolodziej is Organist and Choirmaster at St John’s Episcopal Church in Dallas and is Organist at Perkins Chapel, SMU, for weddings. He holds an undergraduate degree in Organ Performance from SMU, and an MSM and MTS from Perkins School of Theology. He has written for numerous journals including The American Organist, The Diapason, The Canterbury Dictionary of Hymnology, Theatre Organ, as well as for the forthcoming Lutheran Service Book Hymnal Companion. As an organist he has performed throughout the USA, England, Germany, Italy, Norway, and Austria, including at St Patrick’s Cathedral, NYC, St Philips Cathedral in Atlanta, St Mary’s Cathedral in San Francisco, and the Cathedral of Our Lady of Angels in Los Angeles. His organ music is published by CPH, Augsburg and GIA.
James L. Wallmann has degrees in music from Brigham Young University, where he studied organ with J.J. Keeler, a student of Karl Straube, and law from Georgetown University. He works as a corporate attorney in Irving, Texas, and lives near Dallas. Since 1984, Mr. Wallmann has reviewed more than 600 books, most in foreign languages, for The American Organist. His articles have appeared in The Organ Yearbook, The Tracker, The American Organist, Het Orgel, The Organ: An Encyclopedia (2006), and Twentieth-Century Organ Music (2012).
We in Dallas are pleased to host the next Organ Historical Society convention, and we invite you to join us in the Lone Star State. Texas has a culture all its own, a culture which abounds with surprises. Since the building of the Meyerson Symphony Center as home to the nationally-acclaimed Dallas Symphony Orchestra in downtown Dallas during the late 1980s, the city center has seen the construction of an arts district that includes the AT&T Performing Arts Center and the Winspear Opera House for musical presentations, while the Dallas Museum of Art showcases an art collection unparalleled in the Southwest. The revitalization of the city includes plenty of green spaces, including Klyde Warren park — a green expanse built over an expressway. Only minutes from downtown, Deep Ellum is home to numerous arts, entertainment, and musical venues, all of a decidedly non-organ bent. Getting here is easy and relatively painless, with two airports serving this region which is so centrally situated within the United States. And once you get here, a public transportation system means that much of the expansive city is within reach of the visitor without a car. Make no mistake, the Dallas-Fort Worth “Metroplex,” as it is known, is a sprawling region with over seven million inhabitants, the fourth-largest metropolitan area in the country, and we are happy to do the driving for you, taking you to experience some uniquely interesting organs.
The region is home to several major universities, but much of our time will be spent at two: the Southern Methodist University campus, across the highway from the convention’s hotel, boasts an active organ program with numerous fine instruments by Dobson, Aeolian-Skinner, C.B. Fisk, and Hook & Hastings. A highlight here is the Meadows Museum which features the largest collection of Iberian art outside of Spain, and just so happens to house the state’s oldest pipe organ, originally at Evora Cathedral. Our time at SMU will be shared with The Hymn Society of the United States and Canada, the collaboration with whom will include a shared plenary session. The University of North Texas in Denton, a northern regional suburb, will host the OHS on another day as we experience the numerous concert organs on campus. Where else can one hear a 1949 Möller and a 1986 Bedient French classical organ in the same auditorium, not to mention a historic Swiss/German organ with Texas roots of over a century?
We in Dallas are proud of our organ culture. Once home to numerous Pilchers, Hook & Hastings, Esteys and Aeolian-Skinners (alas, the city only had one E.M. Skinner organ), the region’s prosperity through the decades has resulted in these instruments having been replaced with newer instruments, more in keeping with their time. Although we will visit a number of these old organs that still exist, we will also visit later important organs of their time, including an Alsatian-inspired Kern organ from the 1970s which opened ears to “new” sounds, an organ from the early 1960s which represented one of the earliest forays into the neo-baroque revival in the region, and of course the mighty Fisk Opus 100 at the Meyerson Symphony Center, a groundbreaking and iconic instrument which paved the way for the many concert hall organs that have been built throughout the nation since. Texas has a long and storied past, and its often-overlooked tradition of organ building is no less interesting; to explore this, some long-time Texas builders and organ historians will guide us in this historical narrative.
And, in case you are wondering about the weather in Texas at this time — there is no way to get around the heat! But we Texans know how to deal with this, with all our venues are fully air conditioned. We hope to see you 14 – 18 July, 2019.
Co-Chairs, OHS 2019 National Convention
The OHS Mission Statement
The Organ Historical Society celebrates, preserves, and studies the pipe organ in America in all its historic styles, through research, education, advocacy, and music.
The Organ Historical Society
330 North Spring Mill Road
Villanova, PA 19085 – 1737
(484) 488-PIPE (7473)