Organ Historical Society
330 North Spring Mill Road
Villanova, PA 19085 -1737

Email | Website
(484) 488-PIPE (7473)
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Dayton Art Insitute. 1929 2M Skinner Organ Co.; Opus 749 ; 21 ranks. Chests rebuilt by Hunt Krewson Pipe Organ Services with Double Primary Actions on duplex windchests rebuilt by Columbia Organ Works, Inc.

Photo: Len Levasseur
Convention Personalities

Check back again for additional artists, personalities, and more!

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Michael Barone
Building upon a curiosity which began in his teens, Michael Barone has been involved with the pipe organ for more than 50 years. As host and senior executive producer of Pipedreams, he is recognized nationally for his outstanding contributions to the world of organ music. Pipedreams began in 1982, and it remains the only nationally distributed weekly radio program exploring the art of the pipe organ. Michael’s talent and commitment have been recognized with numerous awards, including the American Guild of Organists President’s Award in 1996, the Distinguished Service Award of the Organ Historical Society in 1997 and the 2001 ASCAP-Deems Taylor Award. In November 2002 he was selected for induction to the Minnesota Music Hall of Fame.
Building upon a curiosity which began in his teens, Michael Barone has been involved with the pipe organ for more than 50 years. As host and senior executive producer of Pipedreams, he is recognized nationally for his outstanding contributions to the world of organ music.


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Katelyn Emerson
Organist and pedagogue Katelyn Emerson, hailed as “one of the world’s most promising organists” (Listvinafélag Hallgrímskirkju [Iceland]), is internationally renowned for performances “thrilling from beginning to end” throughout North America, Europe, and Asia, showcasing repertoire spanning the 14th — 21st centuries with “impressive technical facility and musicianship” (Cleveland Classical), in addition to masterclasses and lectures on topics from organ interpretation and healthy practice techniques to sacred music. Upcoming and past recital venues include Walt Disney Hall (Los Angeles, California), Hallgrímskirkja (Reykjavík, Iceland), Kurhaus Wiesbaden (Germany), Riverside Church (New York, New York), Basilica of Santa Maria de Montserrat (Spain), Musashino Civic Cultural Hall (Japan), Krasnoyarsk Philharmonic Hall (Russia), Västerås Cathedral (Sweden), among others.

Prizewinner of competitions on three continents, Katelyn received top awards in the American Guild of Organists’ (AGO) National Young Artists Organ Competition, Musashino International Organ Competition (Japan), International Organ Competition “Pierre de Manchicourt” (France), and Mikael Tariverdiev International Organ Competition (Russia). She was featured in The Diapason magazine’s inaugural “20 under 30 class” of 2015 alongside many of her exceptional colleagues for “superior accomplishments … and innovative thinking.” Katelyn has served on the faculties of the St. Andrews Organ Week (Scotland), the McGill Student Organ Academy (Canada), the Summer Organ Academy of the Royal Canadian College of Organists, numerous AGO-sponsored Pipe Organ Encounters, the Oberlin Summer Organ Academy (Ohio), and regularly leads workshops at AGO conventions. Her two CD recordings, Evocations (2017) and Inspirations (2018), appear on the Pro Organo label.

Through a German Academic Exchange Scholarship (DAAD), Katelyn received her Master Orgel from the Musikhochschule Stuttgart (Germany), studying with Ludger Lohmann. Recipient of the prestigious J. William Fulbright Study/Research Grant, Katelyn studied with Michel Bouvard, Jan Willem Jansen, and Yasuko Uyama-Bouvard at the Conservatoire de Toulouse (France). Katelyn holds double bachelor’s degrees in organ and French and minors in historical performance and music history from Oberlin College and Conservatory, as well as a Certificate in Advanced Occupational Ergonomics from Colorado State University. Additional organ teachers include Olivier Latry, Hans-Ola Ericsson, Marie-Louise Langlais, James David Christie, and Ray Cornils.

Formerly, Katelyn was Associate Organist & Choirmaster at the Church of the Advent (Boston), working with the historic Aeolian-Skinner organ and the professional and volunteer choirs. She is associate editor of the online editorial journal Vox Humana (voxhumanajournal.com) and a regular contributor of feature articles for the UK’s Choir & Organ magazine.
Organist and pedagogue Katelyn Emerson, hailed as “one of the world’s most promising organists” (Listvinafélag Hallgrímskirkju [Iceland]), is internationally renowned for performances “thrilling from beginning to end” throughout North America, Europe, and Asia.
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David Baskeyfield
Commended for his “masterful artistry” (The Diapason), David Baskeyfield has earned a reputation for creative programing, showcasing virtuoso facility tempered by intelligent interpretation, authoritative command of registration and informed above all by intuitive and communicative musicality. “From the first few notes, Baskeyfield’s musicianship let the audience relax. He has that kind of unruffled technique an audience likes in a star, and lent palpable architecture to longer works … His rubato was the most natural of anyone’s; by not over-lingering on details early on in pieces, he won the listener’s indulgence in his grander rhythmic gestures later on.” (Choir and Organ, UK).

Mr. Baskeyfield specializes particularly in the music of the French composers of the 19th and 20th centuries. One of relatively few organists in North America to improvise regularly in recital, his interest in organ improvisation is informed by study of the apostolic succession of teachers and students at the Paris Conservatoire; this was a school of playing in which composition and improvisation were closely linked. However, his concert repertoire is wide and eclectic, at home with the music of the Old Masters of the 17th century as with that of the great 19th-century virtuosos. “Baskeyfield knows how to tell a story with the organ, and there seems to be no literature he cannot interpret convincingly.” (The American Organist)

His two recorded albums to date, both showcasing instruments of particular significance, have been received to consistently high praise: on his debut recording (ATMA Classique): “the perfect combination of organ and organist” (American Record Guide); “His choice of tonal colours is masterful … The disc is a fabulous recording and an important document for this historic instrument now more than a century old.” (theWholeNote). His latest, “Dupré: the American Experience” (Acis) was recorded on the landmark Franco-American organ of St. Mary the Virgin, Times Square, NY, the ideal vehicle for the music of a Frenchman who was so strongly influenced by the instruments he encountered during his multiple American tours. It includes the US premiere recording of his edition of an unpublished orchestral transcription by Dupré. Choir and Organ notes “astounding virtuosity and musicality.”

Mr. Baskeyfield was an organ scholar at St John’s College, Oxford, where he read Law. On the encouragement of David Higgs, he crossed the Atlantic to begin graduate work at the Eastman School of Music as a student of Higgs, studying improvisation with William Porter. His doctoral research examined the influence of the Paris Conservatoire organ improvisation curriculum on the composed repertoire of Dupré and Vierne. He is the recipient of an unusual number of first prizes in playing competitions; these include the Canadian International Organ Competition, St Albans, Miami, and the AGO National Competition in Organ Improvisation, all with audience prize.

He has taught on the Sacred Music curriculum at the Eastman School of Music and is the Director of Music at Christ Episcopal Church, Pittsford, NY.

Aside from solo performance he enjoys work as a collaborative pianist and organist, continuo player, and occasional cocktail pianist. He has been broadcast a number of times on American Public Media’s Pipedreams, as well as NPR’s With Heart and Voice and, more locally, as part of the daily playlist on classical station WXXI. He has occasionally given theatre organ recitals. He is currently enthusiastic about cooking, brewing, sports fishing and aquarium fish (in particular the species endemic to the East African Rift Lakes Malawi and Tanganyika). He shares his house with two springer spaniels, Lucy and Wilbur.

He is represented in North America by Karen McFarlane Artists, Inc.
Commended for his “masterful artistry” (The Diapason), David Baskeyfield has earned a reputation for creative programing, showcasing virtuoso facility tempered by intelligent interpretation, authoritative command of registration and informed above all by intuitive and communicative musicality.


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Peter Sykes
Peter Sykes is one of the most distinguished and versatile keyboard artists performing today.

His playing has variously been called “compelling and moving,” “magnificent and revelatory,” and “bold, imaginative, and amazingly accurate.” He has appeared in recital for the American Guild of Organists, the Southeastern Historical Keyboard Society, the Organ Historical Society, American Institute of Organbuilders, International Society of Organbuilders, at the Library of Congress, Boston Early Music Festival, Aston Magna Festival, New England Bach Festival, Portland Chamber Music Festival, New Hampshire Music Festival, and with Ensemble Project Ars Nova, The King’s Noyse, Musica Antiqua Köln, Blue Heron, and throughout the United States, including an appearance in Boston’s Jordan Hall as a featured soloist in the Bank of Boston Emerging Artists Celebrity Series. He is frequently heard on the nationally syndicated radio program “Pipedreams.” Appearances include an all-Bach inaugural recital on a new organ built by Fritz Noack for the Langholtskirkja in Reykjavik, Iceland, Bach’s Goldberg Variations for the Cambridge Society for Early Music and at Music Sources in Berkeley, CA, Manuel de Falla's Harpsichord Concerto with the Chameleon Arts Ensemble, the Schumann Piano Quintet on original instruments with the Van Swieten Quartet, Samuel Barber’s organ concerto Toccata Festiva and a pedal piano recital of works of Schumann and Alkan at Southern Adventist University in Collegedale, Tennessee. In March 2004 he was given the honor of performing the dedication recital on the newly restored 1800 Tannenberg two-manual organ in Old Salem, North Carolina, an event featured on the nationally broadcast television show CBS Sunday Morning. He was a member of the continuo team for the Boston Early Music Festival opera productions of Cavalli's Ercole Amante, Lully's Thésée and Psyché and Conradi’s Ariadne. He also appears regularly in concert and on recordings with Boston Baroque and Aston Magna. With Christa Rakich he created Tuesdays With Sebastian, an independent two-year benefit concert series in which he and Ms. Rakich performed the entire keyboard works of Johann Sebastian Bach for the organ and harpsichord in thirty-four recitals. He has premiered new works by Dan Locklair, James Woodman, and Joel Martinson, and has performed well over twenty-five dedication recitals for new or rebuilt organs. He also performs frequently on the clavichord and was one of two featured players on this instrument at the 2009 Boston Early Music Festival. In May 2011 he performed clavichord recitals for the British and Dutch Clavichord Societies in London and Amsterdam, at Fenton House in London and the Cobbe Collection at Hatchlands, and for the “Party in the City” night of concerts as part of the International Music Festival in Bath. In May and June 2014 he returned to Europe for concerts including Domaene Dahlem in Berlin and St. Remi Basilica in Reims.

His solo recordings include J.S. Bach’s complete Leipzig Chorales recorded on the Noack organ of the Langholtskirkja in Reykjavik, From The Heartland - Two Nordlie Organs in South Dakota, Harpsichord Music of Couperin and Rameau, A Nantucket Organ Tour, MAXimum Reger: Favorite Organ Works, and Modern Organ Music, a disc of music by Hindemith, Heiller, Pinkham, Woodman, and Icelandic composers on the Noack organ in the Neskirkja in Reykjavik. His bestselling recording of his organ transcription of Holst’s orchestral suite The Planets was named Best of 1996 by Audio Review, a Super CD by Absolute Sound in 1999, and garnered accolades in every review. He appears on the Cambridge Bach Ensemble recording The Muses of Zion, performing organ works of Tunder and Buxtehude on the Fisk meantone organ of Wellesley College, the Music from Aston Magna recording of the oratorio The Triumph of Time and Truth, in which he performs the first known organ concerto movement of Handel, a recording of the organ concerto Cymbale of Julian Wachner, and the Grammy-nominated Boston Baroque recordings of Handel’s Messiah, Bach's B-Minor Mass, and Monteverdi’s Vespers. His most recent solo recordings include the dedication recital on the Tannenberg organ in Old Salem, available on the Raven label, an all-Bach recording on an original Schiedmayer clavichord, also on the Raven label, and the complete Bach harpsichord partitas, available on the Centaur label. Soon to appear will be Book I of Bach’s Well-Tempered Clavier and the complete Bach sonatas for violin and obbligato harpsichord with Daniel Stepner.

He holds degrees from the New England Conservatory, where he studied with Gabriel Chodos, Blanche Winogron, Mireille Lagacé, Robert Schuneman, and Yuko Hayashi, and Concordia University in Montreal, where he studied with Bernard Lagacé. In 1978 he was winner of the Chadwick Medal from the New England Conservatory for outstanding undergraduate achievement; in the same year, he was a winner of the school’s annual concerto competition, playing the Harpsichord Concerto of Frank Martin. In 1983 he was the winner of the Boston Chapter American Guild of Organists Young Artists Competition; in 1986, winner of the Second International Harpsichord Competition sponsored by the Southeastern Historical Keyboard Society. He was the 1993 laureate of the Erwin Bodky Award for excellence in early music performance. In May 2005 he received the Outstanding Alumni award from the New England Conservatory for career achievement since graduation. In May 2011 he was honored by the St. Botolph Club Foundation with its Distinguished Artist Award, a major gift awarded annually to an artist who has demonstrated outstanding talent and an exceptional diversity of accomplishment; previous recipients include painter Edward Hopper, poets Elizabeth Bishop and Stanley Kunitz, sculptor Alexander Calder, and writers George V. Higgins, Annie Dillard, and Sissela Bok. The award letter characterized him as “one of the major musical intellects and imaginations of our time.”

In demand as a teacher and mentor of aspiring professional performers, he is Associate Professor of Music and Chair of the Historical Performance Department at Boston University. In the spring of 2014 he was invited to join the faculty of the Historical Performance Department at the Juilliard School of Music in New York City as its principal instructor of harpsichord. Since 1985 he has served as Director of Music at First Church in Cambridge, Congregational. He is Chair of the Organ Library Committee of the Boston Chapter of the American Guild of Organists and has been adjudicator for competitions sponsored by the American Guild of Organists, the Royal Canadian College of Organists, and the Bach International Harpsichord Festival in Montreal as well as the Broadwood Harpsichord Competition in London and the Miami International Organ Competition. A member of the board of the Cambridge Society for Early Music, he is a founding board member and current president of the Boston Clavichord Society.
Peter Sykes is one of the most distinguished and versatile keyboard artists performing today.
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Damin Spritzer
Dr. Damin Spritzer is Area Chair and Associate Professor of Organ at the University of Oklahoma and continues to work with the Cathedral Church of Saint Matthew in Dallas as Artist-in-Residence for Cathedral Arts. Formerly Adjunct Professor at the University of North Texas teaching Organ Literature and Sacred Music, she is active in the Dallas and Oklahoma City Chapters of the American Guild of Organists and serves on various committees for the Organ Historical Society, the Association of Anglican Musicians, and Organlive Media Foundation. She received her doctorate from the University of North Texas, her Master of Music from the Eastman School of Music, and her Bachelor of Music from the Oberlin Conservatory of Music.

She has performed at historic churches and instruments including the Nicolaikirche in Leipzig, Germany; Sainte-Croix in Orléans, France; Igreja Nossa Senhora de Fátima and Paróquia Nossa Senhora da Boa Viagemin in Sao Paolo, Brazil; the La Verna Festival in Italy; performances with the Terra Sancta Festival in Israel; Wells Cathedral in England; and the Arctic Cathedral in Norway. She has been honored to contribute to convention performances and lectures for the American Guild of Organists, the Organ Historical Society, and the Anglican Association of Musicians.Spritzer’s acclaimed fifth CD for Raven Recordings was recorded in England where she was the first American and the first woman to record at historic Hereford Cathedral on the landmark Fr. Willis organ. It received five stars from Organists Review, which said, “Damin Spritzer’s performance is spellbinding – and her wide-ranging program notes are fascinating….on so many levels this CD impresses as a serious undertaking.”
Alsatian-American composer René Louis Becker (1882-1956) was the topic of her doctoral research. Spritzer’s first two discs for Raven Recordings are world premier recordings of Becker’s music performed in France, the first recorded in Pithiviers on the renovated Cavaillé-Coll organ of Saint-Salomon-Saint-Gregoire. Choir & Organ magazine gave it five stars, writing, “Damin Spritzer serves both instrument and music well, alert to the music’s lyrical mien and harmonic muscle, negotiating the III/49 machine with an easy command of drama and a real feeling for Becker’s melody-led, cleanly-executed music…A second volume is eagerly awaited.”

Her second volume of Becker was recorded in Orléans, France at the Cathédrale Sainte-Croix d'Orléans, receiving four stars from Choir & Organ: “This second installment in Damin Spritzer’s enterprising rehabilitation of the prolific but largely-unknown [Becker] comes…three years after the first volume. Happily, it’s been worth the wait.” Her third volume of Becker was recorded on the historic Kimball organ of St. John’s Cathedral and received a four star review from Choir & Organ magazine and a glowing review from the American Record Guide. Her fourth recording, “Fantasia,” was a collaborative project with Dr. Donald Pinson, trombone, recorded in Texas at St. Monica Catholic church in Dallas. Future recording projects are planned in England, France, and the United States.
Dr. Damin Spritzer is Area Chair and Associate Professor of Organ at the University of Oklahoma and continues to work with the Cathedral Church of Saint Matthew in Dallas as Artist-in-Residence for Cathedral Arts.


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Michael Unger
Canadian-born organist and harpsichordist Michael Unger is Assistant Professor of Organ and Harpsichord at the College-Conservatory of Music, University of Cincinnati. A multiple award-winning performer, he appears as a soloist and chamber musician in North America, Europe and Japan. He is a First Prize winner of the International Organ Competition Musashino-Tokyo, a First Prize and Audience Prize winner of the National Young Artists’ Competition of the American Guild of Organsits (NYACOP), and a Second Prize and Audience Award winner of the International Schnitger Organ Competition on the historic organs of Alkmaar, the Netherlands. Featured solo recitals include performances for the national convention of the American Guild of Organists, Boulder Bach Festival, Internationale Orgelwoche Nürnberg – Musica Sacra, and numerous international and regional recital series. Recent harpsichord performances include the Skaneateles Chamber Music Festival, appearances with Publick Musick and New York State Baroque, and collaborations as part of conventions for the International Viola Society and International Society of Bassists. He received favorable international reviews for his debut solo recordings under the Naxos and Pro Organo labels: Michael Unger: Organ Recital (recorded in Japan) and Universe of Poetry (recorded in Rochester, NY). His performances have been broadcast on North American and European radio, in addition to syndicated programs Pipedreams and With Heart and Voice.

Unger holds a Doctorate of Musical Arts from the Eastman School of Music, where he studied under David Higgs and William Porter, and was a recipient of Eastman’s Performer’s Certificate and the Jerald C. Graue Musicology Fellowship. He is a Gold Medal graduate of the University of Western Ontario, and his former teachers include Ethel Briggs, Sandra Mangsen, Joel Speersta, and the late Larry Cortner. He is formerly the Director of Music at Rochester’s Lutheran Church of the Incarnate Word, and is a published composer of choral music.
Canadian-born organist and harpsichordist Michael Unger is Assistant Professor of Organ and Harpsichord at the College-Conservatory of Music, University of Cincinnati.
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Scott Montgomery
Acclaimed as a sensitive and rock-solid performer with a delicate, yet commanding use in registering the many colors of the instrument (The American Organist), Scott Montgomery holds an active career in all facets as a musician. He is currently the Associate Director of Music and Organist for Central United Methodist Church in Fayetteville, Arkansas, a private instructor of piano and organ, and a widely respected concert organist.

Scott became nationally recognized in 2006 by winning both the Lilian Murtagh Memorial Award (first-prize) and the Audience Prize of the prestigious American Guild of Organists' National Young Artist Competition in Organ Playing (NYACOP), the first person to win both prizes in the history of the competition. Scott has been a prize winner in several other notable competitions including first-prize in the American Guild of Organists' Region V Competition in Evansville, Indiana (1997), second-prize in the Arthur Poister National Organ Competition in Syracuse, New York (2002), and was also the first recipient of the M. Louise Miller Scholarship (2002) sponsored by the Greater Bridgeport Chapter of the American Guild of organists. Scott is a member of the Concert Artist Cooperative, a roster of national and international concert artists.

Scott is widely active as a concert organist throughout the country and abroad. Notable performance venues have included Kimmel Center for the Performing Arts (Philadelphia, PA), Pacific Lutheran University (Tacoma, WA), Ball State University (Muncie, IN), and Heinz Chapel at the University of Pittsburgh (Pittsburgh, PA). He has performed for both regional and national conventions for the American Guild of Organists (AGO), the Organ Historical Society (OHS), National Pastoral Musician Conferences (NPM), and for Pipe Organ Encounters (POE) in the Midwest for both youth and adults. His performances have been broadcast on nationally syndicated radio programs "Pipedreams" and "With Heart and Voice."

Scott has produced three critically acclaimed compact disc recordings. Water and Light, released in 2008 by the Pro Organo label, features the tonally resourceful Mander Organ at Peachtree United Methodist Church in Atlanta, Georgia. His second CD, Inspirations From England, released in 2009 by the Regent Record label, featuring the two Mander Organs at St Peter’s Episcopal Church in St Louis, Missouri. Most recently, Scott released his third CD, Organo Plano: Music for a Joyous Occasion, on the Raven label, showcasing the large Reuter Organ at Christ United Methodist Church in Plano, Texas.

Scott received his formal training at the University of Illinois, Urbana-Champaign, earning his undergraduate and graduate degrees in organ performance studying with Dr Dana Robinson.
Acclaimed as a sensitive and rock-solid performer with a delicate, yet commanding use in registering the many colors of the instrument (The American Organist), Scott Montgomery holds an active career in all facets as a musician.


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Clark Wilson
Clark Wilson, a native of Ohio, began musical training at age nine. Growing up, he accompanied numerous stage musicals, was organist at several churches, and listed in Who’s Who in the Midwest and Men of Achievement. He has Life Member status in the International Tri-M Music Honor Society and is listed in Who’s Who in Executives and Professionals.

Following several years with the Schantz Organ Company as a reed voicer and tonal finisher, his professional playing career began at Pipe Organ Pizza in Milwaukee, WI. He has been on the playing staffs at Paramount Music Palace, Indianapolis, IN and Pipes and Pizza, Lansing, IL. He is on the organ staff at Organ Stop Pizza in Mesa, AZ where he assisted with the planning and installation of the world’s largest Wurlitzer organ.

Clark has recorded seven albums, played for the 1990 Organ Historical Society convention, and several ATOS National and Regional conventions. He has given a series of highly lauded workshops for young people’s Pipe Organ Encounters. He is one of the finest practitioners of the art of silent picture scoring and is a visiting lecturer on theatre organ and photoplay accompaniment at Indiana University organ department, and is working with the Oklahoma University, setting up a picture scoring program.

He has concertized in the U.S., Canada, Australia and England. Also, extensive silent film accompaniment, including at the Chautauqua Institution in New York, the Packard Foundation’s Stanford Theatre, UCLA and the Fox Theatre for the Atlanta premier of the restored Metropolis.

He plays a silent picture annually at the Walt Disney Concert Hall, L.A., has scored for Kino International, and has performed at the Cinequest and San Francisco Silent Film Festivals, as well as for the L. A. Conservancy. Since 1992, he has served as Resident Organist and Organ Conservator at the Ohio Theatre in Columbus, OH. He was chosen by them to re-premier the renowned Chicago Theatre Organ on a bill that included accompanying popular singer Michael Feinstein. He headed the professional crew that began restoration on Chicago’s landmark Wurlitzer for CAPA.

He runs his own pipe organ business and is heavily in demand as a tonal consultant and finisher of theatre and classical pipe organs. He has had the singular honor of being brought to England multiple times for tonal finishing and consulting and has received both the Technician of the Year and Organist of the Year awards from ATOS, the only person to have done so. His time is now nearly equally divided between concert and technical work. He has been professionally involved with more than 100 organ installations throughout North America and England and provides consulting and voicing expertise for several different organ companies.
Clark Wilson, a native of Ohio, began musical training at age nine. Growing up, he accompanied numerous stage musicals, was organist at several churches, and listed in Who’s Who in the Midwest and Men of Achievement.
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Grant Wareham
A Dayton, Ohio native, Grant Wareham began organ studies in 2007. He earned his BMus at Rice University’s Shepherd School of Music, where he studied organ with Ken Cowan, graduating Cum Laude and with Distinction in Research and Creative Work. While at Rice, Grant served as Moseley Memorial Organ Scholar at St. Thomas’ Episcopal Church in Houston, and then as Associate Organist at Palmer Memorial Episcopal Church.

Winner of both the First and Audience Prizes at the 2017 Albert Schweitzer Organ Competition in Hartford, CT, Grant has appeared as a featured artist at the 2017 National Convention of the Organ Historical Society in St. Paul, MN, and as a semifinalist in the 2019 Longwood International Organ Competition.

A second-year MM student Yale Institute of Sacred Music and School of Music, Grant studies organ with Jon Laukvik. He serves as the Organist and Choirmaster for the Episcopal Church at Yale, and also as Organ Scholar at Christ Church New Haven, where he works alongside Choirmaster Thomas Williford and Yale University Organist Emerita Thomas Murray.
A Dayton, Ohio native, Grant Wareham began organ studies in 2007.


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Stephen Price
Stephen C. Price has recently been appointed Assistant Professor of Organ, where he will lead studies in organ performance and church music. Price was formerly the Associate Director of Music and Organist at First United Methodist Church, San Diego, CA. In addition to serving as a church musician, he also built a private studio of piano, organ, and keyboard harmony students in the San Diego area.

In 2009, Price graduated from Western Connecticut State University with a Bachelor of Music degree in Organ Performance, where he studied with Stephen Roberts. Following his undergraduate career, Price received a Fulbright Grant to France, studying organ at the Conservatoire à Rayonnement Régional de Toulouse with Michel Bouvard, and Jan Willem Jansen, where he received the Diplôme d’Études Musicales, in addition to Le Prix François Vidal from the city of Toulouse, with mention “Très Bien” from the jury. While studying in France, Stephen performed recitals at numerous venues in France including the Basilica of Saint-Sernin (Toulouse) and the American Church (Paris).

Price graduated with a Master of Music degree in Organ Performance from Indiana University’s Jacobs School of Music in 2012. The following fall, Price competed in the Franz Schmidt 4th International Organ Competition in Kitzbüel, Austria, and was awarded the Robert Fuchs Prize. He also received a monetary award and was featured in the final prize winners concert in Hopfgarten, Austria. In the fall of 2013, Price competed in the City of Biarritz 14th International Organ Competition in France, sponsored by the André Marchal Organ Academy. Price was one of three competitors who advanced to the final round of the competition and was the only representative from the United States. In October of 2014, Price competed in the Canadian International Organ Competition where he earned a place as a semi-finalist.

In 2015, Price was awarded a member of the Inaugural Class of, 20 under 30 winners by the Diapason Magazine, recognizing young professionals who have contributed to the fields of Organ and Sacred music. Price is currently finishing research based on the topic of "Organ Pedagogy" in fulfillment of the Doctor of Music degree at Indiana University in the studio of Janette Fishell. Price maintains an active schedule in performing solo organ recitals and collaborative accompanying across the U.S.
Stephen C. Price has recently been appointed Assistant Professor of Organ, where he will lead studies in organ performance and church music. Price was formerly the Associate Director of Music and Organist at First United Methodist Church, San Diego, CA.
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Yun Kim
Concert organist Yun Kim is widely hailed for her vibrant performances and is passionate about presenting engaging programs of diverse musical styles to her audiences. Concert reviewers have described her performances as “remarkable” (The American Organist), “uniquely spectacular” (Hope College Anchor), and that she “plays with great sensitivity and great élan” (The Diapason). Yun has been a featured recitalist at the Piccolo Spoleto Festival, Washington National Cathedral, Methuen Memorial Music Hall, and at National Conventions of the Organ Historical Society and Regional AGO Conventions. Her performances have been broadcast nationally on Pipedreams and Seattle Public Radio’s From the Organ Loft.

After completing undergraduate organ study with Carole Terry at the University of Washington, Yun received both her master’s and doctoral degrees in organ performance with minors in early music and music theory from Indiana University, where her principal teachers were Christopher Young and Elisabeth Wright. She is honored to be the 2015 recipient of the Distinguished Alumni Award from the Jacobs School of Music at Indiana University.

A prize winner at both regional and national American Guild of Organists competitions, Yun has served as an adjudicator at regional AGO conventions and the Fort Wayne National Organ Competition, and as Competition Coordinator for the Great Lakes AGO Region. She is past Dean of the Dayton (Ohio) AGO Chapter, has served on the faculties of Pipe Organ Encounters programs for teens, and has chaired the Dayton Church Music Workshop. She is currently on the faculty at Sinclair Community College and serves as organist and choirmaster at Christ Episcopal Church in Dayton, Ohio.

Yun’s latest CD, Wild Card, has been released on the Raven label. Her earlier CD, Of Another Time, is also available on the MSR Classics label. Please visit her website at yunkyongkim.com for more information.
Concert organist Yun Kim is widely hailed for her vibrant performances and is passionate about presenting engaging programs of diverse musical styles to her audiences.


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Carole Terry
Carole Terry’s career as a renowned performer and teacher of the organ and harpsichord have taken her to many cities and universities throughout the United States, as well as Europe and the Far East. Especially known for her performances and recordings of German Romantic music, she is also an expert on the physiology of organ technique.

She has appeared at organ festivals in Manila, Lübeck, Oundle, England, as well as Calgary and Montreal, Canada.

She has adjudicated many American Guild of Organists national and regional competitions in organ playing and improvisation, in addition to various competitions at churches in the United States. She has also been a juror at prestigious international competitions in Japan, Canada, Russia, and England.
Carole Terry is Professor Emerita of Organ and Harpsichord at the University of Washington School of Music where she taught for forty years.
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Gregory Crowell
Gregory Crowell has appeared as organist, harpsichordist, clavichordist, lecturer, and conductor in Germany, Holland, France, Italy, Spain, Japan, Canada, and the United States. He has performed in many international festivals and conventions, including the Boston Early Music Festival, Regional Conventions of the American Guild of Organists, nine National Conventions of the Organ Historical Society, the Saugatuck Chamber Music Festival, the Valparaiso Bach Institute, the Boston Clavichord Society, and numerous meetings of the Southeastern and Midwestern Historical Keyboard Societies. Particularly noted for his performances of the keyboard works of Johann Sebastian Bach, Crowell has been a featured performer at the Weener (Germany) International Bach Series, the Grand Rapids Bach Festival, the Old West (Boston) Bach Marathon, and the Valparaiso Bach Institute. In the spring of 2000, Dr. Crowell was invited to perform and lecture in the Bach Organ Festival held at St. Luke's in Tokyo, during which time he also served as visiting scholar at Rikkyo University in Tokyo. In July 2006, Crowell was invited to speak on interdisciplinary models of teaching music history at Oxford University as part of the Oxford Round Table.

Broadcasts of Gregory Crowell’s performances have been heard on WCRB Boston, WGUC in Cincinnati, Northwest German Radio, Belgian Public Radio, WBLU in Grand Rapids, WMUK in Kalamazoo, WFMT (Chicago), and NPM’s Pipedreams. His compact disc recordings include live organ performances on the OHS label, and, with hornist Paul Austin, the compact disc Moons and Ancestoers: The Music of Robert Shechtman.

Crowell's solo performances have been described as "beautiful, flexible, expressive" (The Diapason), "full of panache and expression" (Ostfriesen Kurier), "reliable as a sunrise, steady as a rock, especially in the virtuoso finale" (The Grand Rapids Press), and "this listener cannot recall ever having heard better" (The Boston Herald).

Crowell has also published widely on subjects related to early keyboard instruments and their repertoire in such periodicals as The Diapason, The American Organist, Harpsichord and Fortepiano, Clavichord International, The Tracker, and De Clavicordio. From 2004 to 2008, Crowell served as Director of Publications for the Organ Historical Society, in which capacity he served as editor of The Tracker, a quarterly scholarly journal dedicated to the historic pipe organ. He now serves as the editor of Clavichord International, the only scholarly journal devoted entirely to the clavichord.

Dr. Crowell holds degrees from the New England Conservatory of Music and the University of Cincinnati, and has studied further at the North German Organ Academy, Academia del Organo (Pistoia, Italy), and Musika Hamabostaldia (San Sebastian, Spain). His teachers include Yuko Hayashi, Bernard Lagacé, Mireille Lagacé, Roberta Gary, and Harald Vogel. Dr. Crowell serves as University Organist and Affiliate Professor of Music General Education at Grand Valley State University, and Director of Music at St. Mark’s Episcopal Church in Grand Rapids, Michigan.

Dr. Crowell performs under the auspices of Independent Concert Artists.
Gregory Crowell has appeared as organist, harpsichordist, clavichordist, lecturer, and conductor in Germany, Holland, France, Italy, Spain, Japan, Canada, and the United States. He has performed in many international festivals and conventions.


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Stephen Schnurr
Stephen Schnurr has been director of music for Saint Paul Catholic Church, Valparaiso, Indiana, since 1990. He has led the adult and young people's choirs of the church on tours of Italy, Spain, Portugal, Ireland, Northern Ireland, Poland, the Czech Republic, Germany, and Austria with performances in Rome, Dublin, Madrid, Barcelona, Warsaw, Krakow, Prague, Leipzig, Salzburg, and Vienna, including performances for Saint John Paul II and for Pope Francis. Since 2017, he has served as editorial director and publisher of The Diapason. In addition, he is adjunct instructor of organ for Valparaiso University.

At Duke and Yale universities, he studied organ with Thomas Murray, Charles Krigbaum, Gerre Hancock, Peter Williams, and Robert Parkins. As a recitalist, he has played programs throughout the United States as well as in Germany, England, Northern Ireland, and Poland.
Stephen Schnurr has been director of music for Saint Paul Catholic Church, Valparaiso, Indiana, since 1990.
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David Schrader
Equally at home in front of a harpsichord, organ, piano, or fortepiano, David Schrader is "truly an extraordinary musician ... (who) brings not only the unfailing right technical approach to each of these different instruments, but always an imaginative, fascinating musicality to all of them" (Norman Pelligrini, WFMT, Chicago). A performer of wide ranging interests and accomplishments, Mr. Schrader has been invited to perform at the American Guild of Organists’ national convention on three occasions performing as a featured artist with the Dallas Symphony Orchestra (1994), the San Francisco Symphony Orchestra (1984), and the Colorado Symphony Orchestra (1998). Mr. Schrader has appeared as a soloist on organ and on harpsichord with the Chicago Symphony Orchestra having performed under the direction of Sir Georg Solti, Daniel Barenboim, and Pierre Boulez. He has also appeared with the Grant Park Symphony under Carlos Kalmar, and with many other orchestras throughout the United States and Canada.

Mr. Schrader has appeared at the Brooklyn Academy of Music as the repetiteur and principal harpsichordist in Chicago Opera Theater’s highly acclaimed production of "Orfeo" under Jane Glover. In May of 2002 he performed five concerts as the featured performer at the prestigious Irving Gilmore Keyboard Festival, performing concerts on organ, harpsichord and clavichord. And, in the summer of 2002 Mr. Schrader appeared as a soloist at the Ravina Festival under the direction of Nicholas Mc Geghan performing all six of the Bach Brandenberg Concertos.
Equally at home in front of a harpsichord, organ, piano, or fortepiano, David Schrader is "truly an extraordinary musician…” (Norman Pelligrini, WFMT, Chicago).


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J.R. Daniels
J.R. Daniels is the organist and choirmaster at Sacred Heart Church, Pittsburgh, Pennsylvania. He earned his degrees at Grove City College and Duquesne University. Mr. Daniels has passed the prescribed tests in service playing and holds the prestigious Service Playing Certificate from the American Guild of Organists.

A native of Cortland, New York, Mr. Daniels is a specialist on historic organs. A former E. Power Biggs Fellow of the Organ Historical Society, he has championed their cause on the local and national levels, authoring several articles, performing numerous recitals and helping to restore and save many instruments. He is recognized as the authority on the life and works of the French Romantic organist and composer, Theodore Salome.
J.R. Daniels is the organist and choirmaster at Sacred Heart Church, Pittsburgh, Pennsylvania.
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Bruce Stevens
Bruce Stevens is active as a recitalist across the United States and Europe. He frequently plays for the annual national conventions of the Organ Historical Society, and he has performed for regional conventions of the American Guild of Organists and for the national convention of the American Institute of Organbuilders. After receiving degrees in music from the University of Richmond and the University of Illinois, he moved to Europe, going first to Denmark for a year of organ study in Copenhagen with Finn Viderø and Grethe Krogh. Later, he moved to Vienna to become a student of Anton Heiller for several years. He also studied at the Royal School of Church Music near London. Mr. Stevens has been a finalist in the American Guild of Organists competition as well as in other national competitions held in Los Angeles and Fort Wayne. Active as a recording artist, he has produced seven discs for Raven Recordings, including a series of four CDs devoted to Josef Rheinberger’s organ sonatas played on various historic American organs.

Mr. Stevens is director of Historic Organ Study Tours (HOST), which he founded in 1994 to further the study of historic organs in Europe and elsewhere. He also works as a writer-editor for the Virginia Department of Education.
Bruce Stevens is active as a recitalist across the United States and Europe.


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Robert Barney
Organist Robert Barney, a resident of Littleton, Massachusetts, has distinguished himself as a recitalist, conductor, and teacher with performances in Europe, Canada and the U.S., and for the Organ Historical Society, the Association of Anglican Musicians, and the American Guild of Organists. As Artistic Director for The Boston Gay Men’s Chorus from 1985-1997, he led first performances of that group in Boston’s Jordan and Symphony Halls, Avery Fischer Hall in New York City, and similar halls in Minneapolis, Denver, and elsewhere. Mr Barney currently serves as Director of Music at Trinity Episcopal Church in Concord, Massachusetts, private teacher in Organ, piano, and voice, and Artistic Director for Youth pro Musica in Newton, Massachusetts. Robert holds degrees from Concordia College, Bronxville, NY and The New England Conservatory of Music, Boston, Massachusetts. His mentors included Robert Owen, Ralph Schultz, Frank Taylor, Donald Teeters, and Yuko Hayashi.
Organist Robert Barney, a resident of Littleton, Massachusetts, has distinguished himself as a recitalist, conductor, and teacher with performances in Europe, Canada and the U.S.
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Don Verkuijlen
Don Verkuijlen serves as the Director of Music at First Baptist Church of Greater Cleveland. At First Baptist, he leads a dynamic program which performs a wide range of music and manages their active concert series. Don is also the Artistic Director of the Singers’ Club of Cleveland, the city’s oldest performing arts organization. In this capacity, he led the organization in commissioning a new setting of the Requiem Mass, written by the internationally renowned concert organist, David Briggs, in memory of those who lost their lives to COVID-19. Beyond his professional engagements in Cleveland, he is an active member of the performing arts scene, serving as Sub-Dean of the Cleveland Chapter of the American Guild of Organists. In this role, he coordinates the chapter’s concert series, bringing in organists of both national, and international acclaim to Cleveland.

Currently, Don is a student in Organ Performance at the Cleveland Institute of Music, studying organ with Professor Todd Wilson, and harpsichord with Dr. Peter Bennett. As part of CIM’s partnership with Case Western Reserve University, Don serves as both a Keyboardist of the Case Western Reserve Baroque Orchestra, and as a member of the Case Western Reserve Chamber Ensembles, where he provides continuo realization and keyboard accompaniment to various performances throughout the academic year. Before attending CIM, he studied Organ Performance at the Oberlin Conservatory of Music where his principal teachers were Madame Marie-Louise Langlais and Professor James David Christie. Beyond his primary lessons in organ, he has studied conducting with Mr. Daniel VanSickle, Dr. Jody Kerchner, and Dr. Raphael Jiménez, sacred music with Dr. Jonathan Moyer, as well as piano with Professor Derek Nishimura. Don has also participated in several masterclasses with several noted artists, such as Nathan Laube, John Ferguson, Olivier Latry, Christian Lane, Scott Dettra, and Dr. Marilyn Keiser. A native of Appleton, Wisconsin, Don began his organ studies with the late Frank Rippl, to whom he credits with helping him foster a life-long love of music.

A prolific recitalist, Don has performed around the globe. Selected organ recitals include performances at two Organ Historical Society Conventions (Columbus, OH and Sunderland, MA), the Cathedral of St. Paul (St. Paul, MN), the Shrine of Our Lady of Guadalupe (La Crosse, WI), Conservatoire de Paris (Paris, FR), Overture Hall (Madison, WI), and the Basilica di San Giuseppe al Trionfale (Rome, IT). During his trip to Rome, he was honored to be asked to play for a Solemn Pontifical High Mass, Celebrated by Pope Benedict XVI at St. Peter’s Basilica. Don is also a composer of works for organ and choir. His Toccata for organ was premiered at the 2016 National Convention of the American Guild of Organists in Houston, and is published by Selah. A recording of the premier performance is available on American Public Radio’s, Pipedreams.

At his most recent appointment before First Baptist, Don served as the Director of Music and Liturgy at St. Rocco’s Catholic Parish in Cleveland. At St. Rocco’s, he led the revival of the Tridentine Latin Mass, re-introducing Gregorian chant and polyphonic mass settings in their original liturgical setting. Beyond performing, he is the owner of the VerKuilen Organ Company, also based in Cleveland. He spends his free time restoring his Model T Fords and spending time with his wife, Caitlin.
Don Verkuijlen serves as the Director of Music at First Baptist Church of Greater Cleveland.


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Justin Hartz
Justin Hartz has been acclaimed as a visionary musician and gifted communicator whose expertise entertains and inspires a broad audience of listeners.

Hartz received his bachelor of Music degree from Westminster Choir College, Princeton, New Jersey and Master of Music from The Juilliard School. He is the recipient of numerous scholarships including an E. Power Biggs Fellow of The Organ Historical Society.

In 1989, Hartz began his association with Longwood Gardens in Kennett Square, Pennsylvania. At Longwood he performs recitals and sing-alongs as one of the Holiday season organists on the historic 10,010 Pipe Aeolian Organ. Aeolian’s magnum opus, it is the largest residence pipe organ in North America.

Hartz performed the dedication recital of the restored E.M. Skinner organ at Biltmore Estate, Asheville, North Carolina. At Biltmore, he recorded a Christmas CD, DECK THE HALLS. In addition, his performances were captured on MIDI permitting the Biltmore Estate to demonstrate the organ at all times.

Hartz’s recordings include the CD, HARTZ AND FLOWERS and a video on the Midnight Pipes series, both performed at Longwood. His performances at LONGWOOD are also featured on the four-CD set, Historic Organs of Philadelphia. He can also be heard on the four-CD sets, Historic Organs of Pennsylvania, Historic Organs of Buffalo, as well as Historic Organs of Cleveland.

Hartz’s interests include historically informed performances on the piano and its predecessors. He is also an advocate for the reed organ. To that end, he was interviewed by NPR affiliate WVIA, Scranton, for a recital he performed on a large two manual and pedal Estey reed organ last fall.
Justin Hartz has been acclaimed as a visionary musician and gifted communicator whose expertise entertains and inspires a broad audience of listeners.
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Andrew Scanlon
Andrew Scanlon is the Associate Organist & Choirmaster at The Church of the Advent in Boston, Massachusetts. From 2009—2021, Scanlon was the organ professor at East Carolina University and Organist-Choirmaster at St. Paul’s Episcopal Church in Greenville, NC. Prior to Greenville, Scanlon spent several years as adjunct organ faculty at Duquesne University and he previously held positions at Christ & St. Stephen’s Episcopal Church (New York), St. Paul’s Episcopal Cathedral (Buffalo), First Presbyterian Church (Pittsburgh) and Marquand Chapel at Yale Divinity School. A frequent performer at the organ, Scanlon has performed at national conventions of the American Guild of Organists (AGO) and the Organ Historical Society. He has been a clinician and workshop presenter, having given sessions for AGO chapters in Boston, Pittsburgh, Raleigh, Knoxville, and Richmond, as well as teaching and performing for the Royal School of Church Music in Charlotte and in Nigeria. Scanlon has given recitals throughout North America, Europe, and Africa, performing in some of the world’s most significant religious venues including all the major churches in New York and Boston, Duke Chapel, Cadet Chapel at West Point, Notre-Dame Cathedral, The American Cathedral and La Trinité Church (Paris) and other venues in England, France, Italy, Germany, Canada, Croatia, and Nigeria. Actively involved in the AGO, Andrew Scanlon holds the Fellowship diploma (FAGO), has been a faculty member for four Pipe Organ Encounters, serves on the National Board of Examiners, and served six years on the Committee on Professional Certification. He is a graduate of Duquesne University and Yale University. His CD recording, Solemn and Celebratory, featuring the Fisk organ at St. Paul’s in Greenville, was released in 2013. The Organists’ Review (UK, June 2014) called Scanlon’s playing on the recording “stately,” “well measured,” and “exemplary”; and The Diapason (Feb. 2015) describes it as “beautifully realized,” stating that “both performer and organ seem to excel in [the] French Romantic repertoire.” Andrew’s principal teachers have been John Skelton, Ann Labounsky, David Craighead, John Walker, and Thomas Murray.
Andrew Scanlon is the Associate Organist & Choirmaster at The Church of the Advent in Boston, Massachusetts.


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Lorenz Maycher
Lorenz Maycher is founding director of the East Texas Pipe Organ Festival, based in Kilgore, TX. An Oklahoma native, Lorenz has studied organ with Margaret Lindsay, Thomas Matthews, Clyde Holloway, William Teague, and William Watkins. He is a graduate of Rice University.

He has performed for numerous OHS conventions and was awarded a Biggs Fellowship in 1990. Lorenz has recorded for Raven and VTOA. His interviews with several American personalities appear in The American Organist and The Diapason. He is compiler/editor of a series featuring the writings of Clarence Dickinson in The Diapason. Lorenz currently serves as secretary/treasurer of The Leo Sowerby Foundation and is organist at First Church of Christ, Scientist, Tyler, TX.
Lorenz Maycher is founding director of the East Texas Pipe Organ Festival, based in Kilgore, TX.
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Sol Rizzato
Chicago native Sol Rizzato is known for integrating the science of organbuilding with the art of performance. In July of 2021, Rizzato appeared as a presenter of organ maintenance at the American Guild of Organists’ National Pipe Organ Encounter. He is a service technician at the Muller Pipe Organ Company in Croton, OH, and previously trained at the Red River Pipe Organ Company in Norman, OK, and Messrs. Czelusniak et Dugal in Northampton, MA.

Rizzato is a student at the Cleveland Institute of Music (MM ’23) where he studies with Todd Wilson, and Organ Scholar at Plymouth Church, UCC in Shaker Heights, OH. As an organist, Rizzato began his formal keyboard studies at the age of eighteen, having come to the instrument with experience as a violist. His previous teachers include Dr. Adam Pajan, Dr. Melissa Plamann, and Dr. Damin Spritzer.

Rizzato continues to remain active as a professional violist and enjoys cooking and weightlifting. He also has a particular passion for education and outreach and hopes to be in a teaching role in some capacity.
Chicago native Sol Rizzato is known for integrating the science of organbuilding with the art of performance.


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Andrew Schaeffer
A Chicago native, Dr. Andrew Schaeffer serves as the full-time Director of Music and Organist at Luther Memorial Church in downtown Madison, Wisconsin. He holds a Bachelor of Church Music degree from St. Olaf College, a Master of Music degree from Yale University and a Doctor of Musical Arts degree from the University of Oklahoma. His dissertation and current research focus is on the role of the pipe organ in American Freemasonry during the first half of the twentieth century.

In addition to his position at Luther Memorial, Andrew serves as the Editor-at-Large of The Diapason, one of the oldest and largest American journals devoted to organ, harpsichord, and church music. He is also Instructor of Organ at Ripon College in Ripon, Wisconsin.

Andrew is active in the American Guild of Organists, having served as Dean of the Oklahoma City chapter and currently serving a term as Dean of the Madison, WI chapter.

He is married to Jenny, a registered nurse, and together they have one son, Walter.
A Chicago native, Dr. Andrew Schaeffer serves as the full-time Director of Music and Organist at Luther Memorial Church in downtown Madison, Wisconsin.
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Jonathan Gregoire
Praised for his "top-notch technique and musicianship" by the Dallas Morning News, Jonathan Gregoire is an advocate for the power of music to transform lives. His engaging performances are praised for their “unfailing drive, energy, and expression.” He serves as organist and collaborative artist at St. Andrew United Methodist Church in Plano, Texas. Driven by the belief that through education we promote understating, which cultivates appreciation, Gregoire is the founder and director of the Arts Foundation of St. Andrew, works as adjunct faculty at Texas Woman’s University, and is the director of the OHS Biggs Scholars Program.

Gregoire received his DMA in Organ Performance from Arizona State University with Kimberly Marshall, where his final project, “Toward a ‘Green’ Organ: Sustainability and Organ Building” combined a personal passion and school-sponsored initiative of sustainability in assessing methods organ builders use to promote sustainable practices in organ building. Gregoire also pursued post-doctoral studies as a student of Professor Stefan Engels at Southern Methodist University in the highly selective Artist Diploma program, where he was awarded the Roy and Sue Johnson Award in Organ or Sacred Music in Memory of Robert T. Anderson, which recognizes outstanding achievement in the department.

Gregoire holds additional degrees in organ performance from the University of Kansas (MM), where he was inducted into the prestigious Phi Kappa Phi and Golden Key International Honor Society; St. John’s University (BA summa cum laude), where he was named a Presser Scholar, which is given to one student each year by the music faculty for exceptional work within the department; and his high school diploma from the Interlochen Arts Academy, where he graduated Salutatorian and received the coveted Young Artist Award as well as Academic Awards in Mathematics and Chemistry. As a noted alumnus, he was a featured performer for the Interlochen Arts Academy’s 50th Anniversary Collage Concert. His instructors also include James Higdon, Michael Bauer, Kim Kasling, and Thomas Bara.

For additional information, including recordings, please visit: jonathangregoire.com
Praised for his "top-notch technique and musicianship" by the Dallas Morning News, Jonathan Gregoire is an advocate for the power of music to transform lives.


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Adam Cobb
Adam Cobb is a doctoral student of Iain Quinn at Florida State University. He holds a master’s degree in organ performance from Florida State University and a bachelor’s degree in composition from Samford University. Organist and choir director at Advent Episcopal Church in Tallahassee, Cobb is also a composer, having several works premiered in both academic and professional settings. As a recitalist, he has performed both internationally and in the United States.
Adam Cobb is a doctoral student of Iain Quinn at Florida State University. He holds a master’s degree in organ performance from Florida State University and a bachelor’s degree in composition from Samford University.
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Sarah Schiener
Sarah Schiener is a recent graduate (’22) of the Hayes School of Music at Appalachian State University, where she studied organ performance and sacred music with Joby Bell. In 2021, she was a featured performer in “The Year of the Student” recital series at Davidson College Presbyterian Church. She has played for churches of several denominations in and around Boone, N.C. Most recently, she served as assistant organist at St. Mary of the Hills Episcopal Church in Blowing Rock, N.C. Since graduating, she has relocated to southern New England.
Sarah Schiener is a recent graduate (’22) of the Hayes School of Music at Appalachian State University, where she studied organ performance and sacred music with Joby Bell.