Chancel Organ
 
 
 
"That the Estey Organ Company are pioneers in the 
line of Church , Chapel, or Chancel Organs
may be inferred from the fact that upwards of 
nine thousand organs of this kind alone have been 
manufactured by them up to this time.
"For many years the chief reliance of the average country 
church was the Aeolian, Melodian or
Seraphine--small in compass, limited in capacity and 
unsatisfactory in many ways.
These crude instruments were in time succeeded by the 
"Cottage Organ," different in construction,
more convenient, and with enlarged capacity.  
Hundreds, perhaps thousands, of these found
their way into public places, and "served well their day 
and generation."  However, with the
advent of the Moody and Sankey movement, however, and the 
well-nigh universal
use of a Reed Organ as an accompaniment to singing in 
public meetings, came the demand
for an organ of larger scope, so designed that the player 
could face the audience and not
be hidden by the instrument. Through various evolutions 
therefore has come the 
Chancel Organ--which for capacity, grace and richness of 
design and thorough mechanical 
construction has no equal."
                                                                                                                 
--1896 Catalog
  
  
      | Style 330 | 
    
       Two Full Five-Octave Sets of Reeds, with 
      Vox Humana, Sub-Bass, Octave Coupler, &c.   
       
      Eleven Stops: Diapason, Vox Jubilante, 
      Melodia, Viola, Dolce, Dulciana, Sub-Bass, Vox Humana, Harmonique Coupler, 
      I. Forte, II. Forte  | 
  
      | Style 
      331 | 
    
        Three Full Five-Octave Sets of Reeds, with 
      Vox Humana, 
      Sub-Bass, Octave Coupler, Grand Organ, Knee Swell &c.  
       
      Thirteen Stops: Diapason, Flute, Vox Jubilante, Violetta, 
      Melodia, Viola, Dolce, Dulciana, Sub-Bass, Vox Humana, Harmonique Coupler, 
      I. Forte, II. Forte  | 
  
      | Style 
      334 | 
    Five 
      Octaves of Diapason-Melodia Reeds, Five Octaves of 
      Flute-Viola Reeds, Five Octaves of Clarinet-Bourdon 
      Reeds, Two and one-half Octaves of Wald Flute Reeds 
      (brilliant), Two and one-half Octaves of Cornetto Reeds 
      (beautiful effects), One Octave of extremely powerful Manual Sub-Bass 
      Reeds, the Harmonique Coupler, with Vox Humana, 
      &c.  Fifteen Stops. | 
 
Photos courtesy of 
Jerry Aldrich